In 2020, we undertook a multi-dimensional project involving the development of a visual communication strategy for the Zamek Cultural Centre in Poznań. The scope of work included, among other things, developing a facelift of the logo and identity for promotional materials and improving the readability of directional information. Following an audit, we decided to make changes to both the logo itself and the typeface used in it, and to develop a consistent identity for all promotional, marketing and information projects used by the Poznan institution.
The company approached us to refresh its image and design a consistent visual communication for advertising activities. Business development necessitated the decision to rebrand marketing materials (logo, prints, website). Our cooperation started with a change of the graphic motif and surroundings. In reference to the shape of the previous logo, we developed the Blob (Drops of Oil) motif in a system whose composition is ordered by a grid of thin technical lines. The new logo features the letter B, which is striking and, in relation to the company name, memorable. The overall look is very modern and conveys the technical, industrial character of the company.
We designed a new logo and visual identity for a furniture company that deals with furniture design and the production of fronts for Ikea furniture systems, to which they give a unique and designer form. At the start of the business, the company was using a logo designed by a team member. The design did not reflect the character of the brand; it was heavy and unreadable. The use of simple, elegant lettering, writing the name in capital letters and combining it with a minimalist symbol, reflected the character of QOOD products. The geometric graphic motif based on a circle and square harmonises with the product photography, and fits well with the different formats of printed materials and socialmedia graphics.
We developed a comprehensive rebranding of graphic materials for a social institution. The old logo did not reflect the positive nature of its activities. We proposed using the abbreviation MCPS in the logotype, which had functioned in previous communication. We modernised it and made it functional with consistent elements and a graphic motif referring to the shapes of the new logo. A set of icons was created for all departments of the institution and the projects they carry out.
We developed a comprehensive rebranding of a natural sausage producer. Initially, the company outsourced this task to an inexperienced designer who failed to cope with its implementation. His design did not reflect the local character of the company, and there was also a lack of a coherent graphic motif, which could be used not only in advertising materials, but above all for the branding of packaging and product labels. Of course, that is not all! On the occasion of the rebranding, we took care to fully equip the brand with promotional materials for the years of operation. Consistent packaging designs, socialmedia graphics, flyers, posters and gadgets. When changing the logo, we recommend taking care of a consistent implementation of the visual identity at every level of the business.
We were approached by Sendal, a family-owned bakery, to rebrand its product packaging. The company had a logotype, which we decided to leave unchanged. We took care of developing a consistent artisanal image for the new products - ready meals and dumplings. With the help of natural illustrations, original colors and elegant typography, we took care of product recognition. The new packaging stands out from others on market shelves and reflects the high quality of the products.
The village of Swołowo already had a well-recognized logo, but needed a visual identity system for tourism-related advertising activities. We took care of developing a graphic motif, based on a grid motif, in which geometric linear illustrations depicting the landscape of the town, its characteristic monuments and attractions are inscribed. We designed a package of graphic materials to promote the city: advertising gadgets, large-format printing, stationery and printed stock, poster and flyer designs, advertising clothing, equipment for trade fairs and tourist directional signs.
Ostendi approached us for a consultation on the current image. We presented two concepts: a completely new image and a proposal to rebrand the previous one. Due to the attachment to its former symbol, the client decided to give it a gentle facelift. We tackled the development of a new logotype with the additional significant wording 'HR', which clearly communicates the scope of the company's activities. Its shape refers to other elements of the identity, i.e. the handwritten marker drawings that have become the leitmotif of the company's marketing communication. For their products, we developed a set of icons in a consistent, modern style.
Międzynarodowe Targi Poznańskie addressed us with a proposal to develop logotypes and a graphic motif for the LOOK and beautyVISION fairs, together with a shortened book of trade fair signs. The challenge for us was to design these elements in such a way that they could function both in juxtaposition and on their own in the layout of all possible graphic designs developed for the needs of the Fair communication. In line with the customer's expectations, we created a sensual and feminine design for the main graphic motif, and corresponding light and delicate LOOK and beautyVISION fair logotypes.
Let your company stand out
See our projects:
In 2020, we undertook a multi-dimensional project involving the development of a visual communication strategy for the Zamek Cultural Centre in Poznań. The scope of work included, among other things, developing a facelift of the logo and identity for promotional materials and improving the readability of directional information. Following an audit, we decided to make changes to both the logo itself and the typeface used in it, and to develop a consistent identity for all promotional, marketing and information projects used by the Poznan institution.
We developed a comprehensive corporate identity system for the Central Crops Research Centre. As part of the rebranding, we dealt with the lifting of the logo and the development of the logotype in various compositional variants. During the consultation and design process, we decided to partially retain the form of the logo. We developed a distinctive and legible logotype and improved the proportions of the symbol. We also designed a consistent logo for research stations and internal projects. The graphic motif was based on geometric boxes referring to the division of fields. Green circles with a pea motif in the symbol dynamise the composition of promotional materials. We developed layouts for the publications, coherent advertising materials, gadgets and equipment for staff documents and presentation templates for tables and charts. We designed and produced the statuettes. All designs and rules for the use of ID elements and the set of signs are described in the corporate identity book.
The company approached us to refresh its image and design a consistent visual communication for advertising activities. Business development necessitated the decision to rebrand marketing materials (logo, prints, website). Our cooperation started with a change of the graphic motif and surroundings. In reference to the shape of the previous logo, we developed the Blob (Drops of Oil) motif in a system whose composition is ordered by a grid of thin technical lines. The new logo features the letter B, which is striking and, in relation to the company name, memorable. The overall look is very modern and conveys the technical, industrial character of the company.
We designed a new logo and visual identity for a furniture company that deals with furniture design and the production of fronts for Ikea furniture systems, to which they give a unique and designer form. At the start of the business, the company was using a logo designed by a team member. The design did not reflect the character of the brand; it was heavy and unreadable. The use of simple, elegant lettering, writing the name in capital letters and combining it with a minimalist symbol, reflected the character of QOOD products. The geometric graphic motif based on a circle and square harmonises with the product photography, and fits well with the different formats of printed materials and socialmedia graphics.
We developed a comprehensive rebranding of graphic materials for a social institution. The old logo did not reflect the positive nature of its activities. We proposed using the abbreviation MCPS in the logotype, which had functioned in previous communication. We modernised it and made it functional with consistent elements and a graphic motif referring to the shapes of the new logo. A set of icons was created for all departments of the institution and the projects they carry out.
We developed a comprehensive rebranding of a natural sausage producer. Initially, the company outsourced this task to an inexperienced designer who failed to cope with its implementation. His design did not reflect the local character of the company, and there was also a lack of a coherent graphic motif, which could be used not only in advertising materials, but above all for the branding of packaging and product labels. Of course, that is not all! On the occasion of the rebranding, we took care to fully equip the brand with promotional materials for the years of operation. Consistent packaging designs, socialmedia graphics, flyers, posters and gadgets. When changing the logo, we recommend taking care of a consistent implementation of the visual identity at every level of the business.
We were approached by Sendal, a family-owned bakery, to rebrand its product packaging. The company had a logotype, which we decided to leave unchanged. We took care of developing a consistent artisanal image for the new products - ready meals and dumplings. With the help of natural illustrations, original colors and elegant typography, we took care of product recognition. The new packaging stands out from others on market shelves and reflects the high quality of the products.
The village of Swołowo already had a well-recognized logo, but needed a visual identity system for tourism-related advertising activities. We took care of developing a graphic motif, based on a grid motif, in which geometric linear illustrations depicting the landscape of the town, its characteristic monuments and attractions are inscribed. We designed a package of graphic materials to promote the city: advertising gadgets, large-format printing, stationery and printed stock, poster and flyer designs, advertising clothing, equipment for trade fairs and tourist directional signs.
Ostendi approached us for a consultation on the current image. We presented two concepts: a completely new image and a proposal to rebrand the previous one. Due to the attachment to its former symbol, the client decided to give it a gentle facelift. We tackled the development of a new logotype with the additional significant wording 'HR', which clearly communicates the scope of the company's activities. Its shape refers to other elements of the identity, i.e. the handwritten marker drawings that have become the leitmotif of the company's marketing communication. For their products, we developed a set of icons in a consistent, modern style.
Międzynarodowe Targi Poznańskie addressed us with a proposal to develop logotypes and a graphic motif for the LOOK and beautyVISION fairs, together with a shortened book of trade fair signs. The challenge for us was to design these elements in such a way that they could function both in juxtaposition and on their own in the layout of all possible graphic designs developed for the needs of the Fair communication. In line with the customer's expectations, we created a sensual and feminine design for the main graphic motif, and corresponding light and delicate LOOK and beautyVISION fair logotypes.
Let your company stand out
See our projects:
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